Fashion / Beauty / Travel / Lifestyle / Est. 2012 / London / A lavish home for luxury lovers / Fashion / Beauty / Travel / Lifestyle / Est. 2012 / London / A lavish home for luxury lovers / Fashion / Beauty / Travel / Lifestyle / Est. 2012 / London / A lavish home for luxury lovers / Fashion / Beauty / Travel / Lifestyle / Est. 2012 / London / A lavish home for luxury lovers /
The Luxury Mummy
Mulberry spring/summer 2027 runway look

Fashion

Mulberry SS27: Christopher Kane Comes Home

Chelsea Green

Hey Luxury Lovers! Of all the shows at London Fashion Week SS27, this is the one I keep thinking about. Mulberry back on a runway after six years, with Christopher Kane as creative director of womenswear and his sister Tammy beside him, the way it has always been. It happened on Sunday 20 September at the Queen Elizabeth II Centre in Westminster — a plain hall with rows of office chairs, which after years of grand Claridge’s sets felt like a statement in itself.

No logo, just the bag

Here is the clever bit. Instead of plastering a logo across everything, Kane took the notched outline of the Bayswater flap and used it as the signature. It turns up as a crenellated edge on coats, tailoring, knitwear and shirts, and on a short white leather dress built from horizontal tiers of those flaps, fringing as she walks. “My point was to say ‘Mulberry’ without a logo,” he told British Vogue. Darling, consider the point made.

The flap edge again, on knitwear and a wrapped skirt
The flap edge again, on knitwear and a wrapped skirt
Flap-edged tailoring over a sheer skirt
Flap-edged tailoring over a sheer skirt

There is also a long greige raincoat lined in brown check, taken almost unchanged from a Roger Saul design from the 1980s, and the house check reworked bigger and bolder, including a wipe-clean vinyl overcoat with the tartan printed on.

The bags and the shoes

The accessories are what I would queue for. The Chop is a flat, curved shoulder bag shaped like the sheath for an axe — a nod to the mulberry trees Roger Saul saw from the train, and the axe he used for his first belts. The Rocker has a curved base, the archive Piccadilly comes supersized, and there is a backpack whose Postman’s Lock clasp crosses the chest like a harness. Then: mirrored heels carved into axe shapes. I gasped.

The Bayswater, remade
The Bayswater, remade
Carried low, the way Kane styled it
Carried low, the way Kane styled it

My verdict

Grey, beige and white with orange and burgundy running through it, paper-fine leather at one end and 1990s parkas and rugby shirts at the other. It is British in the way I actually recognise — establishment and subculture in the same wardrobe.

It lands in stores and online in January 2027. I will be the one with the axe-heel mirrored shoes and absolutely no shame about it.

Greige cashmere and a slim cross-body strap
Greige cashmere and a slim cross-body strap

Runway photographs: Vogue Runway.

Luxury Mummy xo

Keep reading

You may also like

All posts →

Fashion

Richard Quinn SS27: The Mirrored Garden

Forty-plus gowns, mirrors end to end and chandeliers overhead. If you love getting dressed up, this is your sh…

Fashion

Chopova Lowena SS27: Slavic Folklore Goes Bowling

A bowling alley, Slavic witches and dogs in couture. The most fun show of London Fashion Week SS27.…

Fashion

Petra Fagerström SS27: Swedish Summer

A debut runway show built on glitches, trompe l’œil lingerie and a trench coat designed never to close.…